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Here is another Wolvie. Not sure why I keep drawing him, I guess he's fun to draw. I'm not sure if you could tell but I've been reading HELLBOY lately, Mignola is a genius. Anyway I love how much contrast he uses- something I've been trying lately.
"To say that the movie is not funny is merely to affirm the obvious. The word “unfunny” surely applies to Mr. Myers’s obnoxious attempts to find mirth in physical and cultural differences but does not quite capture the strenuous unpleasantness of his performance. No, “The Love Guru” is downright antifunny, an experience that makes you wonder if you will ever laugh again."
The million or so geeks who've followed Snake's tale for the past decade (or two) will find absolute satisfaction in the resolution MGS4 brings. Every plot thread is tied up; every bizarre supernatural impossibility is explained; every character is allowed some form of closure. The stakes rise to epic heights, and not every ending is happy, but the bittersweet moments make the gestalt all the more fulfilling. It's an astounding feat, especially given how immense the cast has grown and just how far "out there" some of Metal Gear's pulpier plot points can be. The identities of the Patriots, the final fate of Big Boss, the reason Snake looks decrepit while his companions are still fresh-faced and vigorous, the means by which the villain exists as a talking hand grafted to an old man's arm -- it's all here. You'll even learn what "La-Li-Lu-Le-Lo" means, if you pay attention.